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Alison
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« on: October 29, 2009, 08:27:32 AM » |
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More and more I'm seeing that the really 'up there' Face-Painters load their brushes (split cake or not) with a back and forth motion. Not the round and round craters that I do.
Is that a 'rite of passage'? Like, something that people learn/incorporate when they develop to a certain point?
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abs
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MandiIlene
Full Speed Ahead
  
Posts: 210
Face Paint. . .without the clowning around
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« Reply #1 on: October 29, 2009, 08:34:12 AM » |
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I think I was tired of getting the deep pit in the middle of the paint like I used too and having to spoon the cake down after a few gigs.
My first year at the FABAIC I sat down with a set of ladies and started to paint with them, and they both looked at my paints then at each other and said "Oh we have a weller"
I wasn't sure that really was supposed to mean at the time, they didn't say it rudely, just meant that was my style of using my paints. I made a big well in the middle, especially the black.
I still sometimes circle the pot when i am trying to get it in a pointed tip, but then sometimes I go back and forth and then just spin the brush to get the tip. I never really paid that much attention before those ladies said something to me. ~*~Mandi~*~
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Sherry
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« Reply #2 on: October 30, 2009, 06:23:54 AM » |
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I took one professional class with Mark Reid and I think he loaded it like that. I do remember him pulling it flat to pick up the paint. He also showed us how to twirl it make a point. He did that while painting as well. He showed us how to do the tiger stripe and then toward the end, he twirled it to make a point.
He told me not to flick the brush. I have a tendancy to do that sometimes.
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Alison
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« Reply #3 on: October 30, 2009, 09:41:51 PM » |
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And You, Sherry? You with your beautiful professional work - Do you make a well? or a stripe?
It's too hard to try striping when my paints all have holes in them. I hope I re-train myself when I get a chance to use freshly filled containers.
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abs
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Sherry
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« Reply #4 on: October 31, 2009, 05:30:47 AM » |
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I started out making wells, it just seemed to happen naturally but lately I think my cakes do look more stripey. I'd never thought about it too much. I think the well helps when painting. So I did manually dig out a well in a couple of my cakes. I like to have a well of water, because then the cakes don't get too wet. I can dip my brush in the water part and then run over the cake.
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PatB
Dreamer

Posts: 5
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« Reply #5 on: October 31, 2009, 05:15:22 PM » |
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Oh-Oh. I'm a flicker AND a weller.  PatB
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PatB
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Alison
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« Reply #6 on: October 31, 2009, 07:45:51 PM » |
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Oh-Oh. I'm a flicker AND a weller. :)atB How can that be? Isn't the well annoying if you try to flick?
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abs
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Sherry
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« Reply #7 on: November 02, 2009, 05:46:07 AM » |
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The flicking is when you're painting on the face, not when you're loading the brush. At least that was the flicking I was talking about. When I end a stroke, I sometimes have the tendency to flick the brush. When I took Mark Reid's class, he said not to flick it.
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GaFacepainter
Guest
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« Reply #8 on: November 05, 2009, 07:42:46 AM » |
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I like the well at the bottom, probably because I'm just use to it, but I like it for when I want to thin the paint for some fine detail work. Seems to go on thinner and w/out clumping.
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